5
 
 
 
5:52 PM, Saturday, August 20th, 2011:
 
The entry about the first review of "The Journey: From 1 to 1000" was intercepted a couple days ago by a phone call from a Monkees Superfan which allowed me to watch and participate in a bizarre sub-culture of professional celebrity autograph collectors that I didn't know existed. It was a fun night for sure, and a great story for the site. I like those.
 
Soon after I uploaded my Monkees video on YouTube I was contacted by a guy who we'll call Hank. We would've called him by his real name, but he jumped into the video for this entry in a way that I have a feeling he isn't gonna want attached to his name. Ha. Anyway, he wanted all the footage I had, and I sent it to him. It's a 35 minute version of the video I have online and I must say, it's probably the best "bootleg" I've ever seen. Incredible seats, beautiful camera... even great sound. Really happy with how it turned out. I also included a copy of "The Journey" for him to check out, which he did and enjoyed.
 
Cut to Wednesday and he is back in LA (he's from St.Louis) and he wanted to get together and talk about the movie and geek out about The Monkees some more. The reason he's back in town? The ever-reclusive missing Monkee, Mike Nesmith was coming out of hiding to actually perform that Friday in at The Largo. Strangely, a place I was gonna play back in '01. I really couldn't believe it and was baffled the man would fly 2000 miles on an internet rumor that he was gonna be a guest during the "Watkins Family Hour" show. For his sake, I really hoped he showed up.
 
Met for coffee with his long-time friend Steve (whose name I can mention because he isn't embarrassed by the video - LOL) and ended up talking for hours about all sorts of fun stuff. Steve is a free-lance writer who has written an incredible amount of books on celebrities, old TV shows, etc... most recently on Don Knotts. It was honestly a pretty fascinating discussion. So much so I figured I'd buy a ticket for the show and be part of the geek-fest although I clearly didn't have the hard-on for Nesmith that this cat did (Steve was mildly interested like me). I'm not a complete n00b to Nesmith's advances in video. Check out #11 on Entry #79 back in 2000 where I mention I wrote to Nesmith trying to show him 4tvs. Weird all the little connections when you've been doin' shit this long...
 
So we get in line early and get seats in row A, killer, and I notice a plethora of "don't fucking videotape this show" type of signs. Of course I'm gonna try, but it was odd to see it so adament when at The Greek, Peter Tork said point blank "Record the HELL out of us, put us on YouTube - share the love" It's actually more of a venue thing than the artist. And as I'm about to find out, The Largo is rather intense about this. I learned this from the professional collectors that littered the area around and within The Largo (there's a courtyard in between a little bar, merchandising area and the theater). These guys were intense. They actually spend their lives going to places where celebrities might be, getting an autograph and selling it. They were all armed with bags of album covers and ready, to, go. I was ready to keep exploring, so I walked into the bar...
 
It was actually a cool little place where people can also perform. Had a cool rickety old upright piano there. Would dig playing there. Didn't really want to drink so headed out...
 

...and I walk right into Micky Dolenz with nobody else around him. I said:  "Well, hello Micky Dolenz" and shook his hand. It was just weird. I've seen him more in the last few weeks than nearly everyone I know. And there was no one around him.

 
I really feel bad for the die-hard fans that might be reading this and who want to shoot me right now. I'm really just along for the ride. Of course Hank jumped in soon after and asked him a dozen questions (he was also in the hospitality room at The Greek last month with him) and I proceeded to watch that interchange and the humorous body language within. Micky was rather cordial considering the hyper-osity around him. Then again, when you dress up like that, you're gonna stand out. And on that subject.
 
Though this picture is not from last night, this is exactly what he was wearing. Now, I am the last man to give another man shit for wearing the same thing all the time. I am known for wearing the same clothes for decades and the Cam hat? That bitch was attached to my head for 15 years straight... but when it's the outfit you wear on the cover of your album?
 
Ya know? I mean, maybe he's just actively trying to "brand" himself, I've certainly done my share of this... but it just struck me as odd that you would seemingly walk off your album cover to go see a fellow Monkee sing a few tunes.
 
But of course, this is kind of what I lack in this industry. In his shoes, I would probably sneak in and sneak out to show support. And in return would sell zero albums. <shrugs>
 
We soon got our seats and I readied myself for the attempt at taping the show. I brought a camera I could turn on and record with absolutely no lights showing, and was happy with my chances.
 
The Watkins Family was actually really good and I enjoyed listening to them... then incredibly the first guest they had on was Grant Lee Phillips. A man I met when his band Grant Lee Buffalo made their way into CD101 in 1999. In fact my keyboard is presently being pecked on atop the piano he signed. Cool, huh?! I was rather excited about that. :-)
 
Up next for special guests? Fiona Apple.
 
What?!?!?
 
She apparently just stopped by to say hi to the band and decided to sing a song. Quick aside, like any red-blooded male (and many females) I was quite a fan of hers back in the day. Shadowboxer in 1996 was incredible and of course, the "Criminal" video? Sheeeeeeit. Man, and I also did a cover of her song back in 2007. This is the most bizarre entry I've ever written. It's this strange "this is your life" kind of story...
 
 
Love her version of that song (duh, the original) and had a blast with Keith putting that together. So I was really excited to see her when Sara announced her name...
 
...and then a skeleton walked onstage that made me gasp. I mean Fiona has always been skinny, but she was so thin that I actually caught myself looking away. This overwhelming feeling of "we shouldn't be watching this" came over me and I was incredibly thankful she only sang one song. Again, I really love Fiona's music and have always been attracted to her, but you simply couldn't ignore what you were seeing. Sara Watkins (the girl in The Watkins Family as well as a member of The Decemberists) is a normal sized, pretty girl and the juxtaposition of the two of them onstage was frightening. Sorry to keep rambling about this, everybody gets the point, but it was all I thought the entire time she was on stage (roughly 5 minutes).
 
A couple more ditties and it was time for Mike Nesmith. I had my camera running, tucked in my arm and soon realized this was gonna be tough. My angle allowed me access to the front and center mic, and he chose the far right mic (much to the confusion of those onstage, it was kind of endearing as he didn't want the limelight). He was also remarkably skinny, but clearly not like Fiona. I had seen a picture of Mike just last year and it seems he has lost a good 50 pounds from that picture. He moved kind of slow, maybe he was a bit nervous? But again, I had an eerie feeling. To say The Monkees show was high energy is to say the least. They're all a year or two from 70 but had no problem running around for hours. Very easy to understand why Mike didn't join them. Emotions aside, physically? That man is not touring. And especially not with The Monkees doing up-beat teeny-bopper numbers.
 
I watched him sing the first song in a bit of a shock, and then for the second song I changed sides hoping to actually get video of him. I was fairly certain I got a good angle and enjoyed the show. The one thing about not being able to see what you're shooting through the camera? You actually get to watch the show, which was nice. The third song he sang was "Thanks For The Ride" which was a "farewell" of sorts and it just really bugged me out. He just didn't look well to me and this felt like some sad Johnny Cash "Hurt" moment. 68 year olds that suddenly lose a lot of weight obviously remind me of my grandmother who died of cancer at 68 in 2000. Hate to be a downer here, this is clearly all my own issues kinda bouncing around my brain while witnessing everything... but that's just how my brain saw it. And then a guy grabbed me... and it was off to the next adventure.
 
I knew immediately what had happened and I smiled and walked out the back of the theater with the guy. I said:  "It was my job to try, and it was your job to catch me. Good job." And he took my camera, went up to the booth, erased everything and gave it back. It really just felt like losing a chess game to me. I was impressed they saw it (found out later they have a camera ON the audience and in night mode they see the infa-red from the camera! I was never pulling that off. LOL).
 

They said I could go back in and watch the show, which was actually very nice of them, but just then all the COLLECTORS came running out and started setting up their albums. I assumed Nesmith was done and they were on the "hunt" for him and I figured I'd better stay with them as honestly? They were a lot more interesting. There could be a documentary on this sub-culture, easy.

I eventually went around back because I knew there was no way Mike was coming into the courtyard. He just seemed way too fragile onstage. No, he was going to walk out the back, to his car, and go home. When I got there, there were a few of the hardcore peeps there and man, they were just... intense. This dude to the left was pointing out all the "regulars", being angry at everyone blocking him. He took this really, really seriously and he was simply frightening. Everyone knew who he was, too. Weird.
 

And then there's this jackhole who I'll call Martin because his fucking name is Martin. He was telling another guy what the paparazzi laws were and how you could stand in front of celebs and block them as long as they had room to go around you. Basically how to be as much of an dick as possible to people within the law. Then he's like "Hey, don't take video of me." Why? 'Cause it's INTRUSIVE? 'Cause it's a DICK thing to do? Sucks when the shoe is on the other foot doesn't it.

 
That's right about when the line started getting big, so I decided to go anti-paparazzi and shoot the crowd. They were honestly more interesting than Mike to me. I wonder how it will make them feel to see how they look? So desperate to get something signed (some were legitimate fans like Hank), but completely failing to see that the man clearly used every bit of energy he had doing 5 songs and that when he said he wanted to spend time with his family... you back off. As you can see from the video, one guy really didn't...
 
 
...and yes, that guy was Hank. (sigh). I remember as I was shooting thinking:  "DUDE! What are you doing! I HAVE to post this video, it's the only shot I have!" I didn't want to upload what he was sure to be embarrassed about later to the world... but goddamn, I spent $25 for this ticket just for this story and entry, and well, I need a video for the VLOG. So I'm kinda stuck with it. I decided to not edit anything together, just show the entire file uncut so as to not bias it in one way or another. This is simply what happened. And Hank was PISSED.
 
And man, I just don't understand. Hank has already met him, already has an autograph... but he has like 15 items that have the other 3 Monkees without Nesmith and he's trying to "complete" them. Is it worth doing that to the guy as he got in the car? Don't you think that kind of made him feel bad? I mean, when I was 20 and in the lockeroom with Jordan, I know I crossed the professional line as part of the media when I unbuttoned my shirt to reveal his jersey underneath and asked for an autograph... but if he couldn't have done it? I would've dropped it. And the bizarre thing is that although he says he'll never sell them, he knows it'll be worth more with the 4 of them. The whole concept is just foreign to me 'cause now we're running into the other thing that I forget people are motivated by:  money. Unless money buys me more tools to create? I just don't have an interest. In a sense? This website is my "collection" and videos are what I "collect". I like how it's all laid out. I treat each file like tiny pieces of art that I peruse from time to time and they are a reflection of who I am at that exact moment. 10 years from now I'll stumble upon this video and remember what August 2011 was like. It feels far less intrusive than trying to stop someone and have them sign something.
 
Afterwards, Hank, Steve and I went to a strange little Tiki bar and again, I enjoyed talking to them. Hank is one of the strangest contradictions of traits in one person I've ever known. Big, strong fireman type. Cigar smoking-hummer driving, conservative leaning (everything he said was Republican though he tried desperately to cling to the "leaning" term) dude... who then has a choke collar necklace, a tongue piercing and a bunch of silver rings and is a die-hard Monkees fan. And you know what they say about guys that wear silver rings...
 
 
Hahahaha. It's funny, we actually have some similar traits, but I'm kinda wanting to take off my rings now. HAAAAAAAAA. Just fuckin' with you Hank.
 
So a big "thank you" to Hank (after I just made fun of him). because this was quite a fun little adventure and I never would've done that if not for you looking me up. Keep fighting the good fight and savin' peoples' lives. I'll be thinkin' of you in a couple weeks during the 10 year anniversary, man. And Steve! Cool to meet you brotha! Can't wait for you to watch the movie and see if there's a way we can brainstorm something to help the both of us.
 
Entry on the Film Threat review up next,
 
Adam