- 3:41 PM, Sunday,
March 13th, 2016:
-
- This is honestly
it. Wait, that sounds kind of final. Here's what I'm
trying to say...
-
- This video says
literally everything I can about Hats
& Minigolf in the shortest amount of time
I can pull off and if it doesn't lead to
something bigger, there's just fuck-all more
I can do. That's actually a good thing because
rarely do I put a reel together without feeling
apprehensive, but whew, this took me 2 months.
I shit you not. This was supposed to be the
SECOND new video of the year with the charity
video being first. Anyway, lemme link the video and go
from there...
-
-
- Just watched it
again for the umpteenth time. Man, it just nails
everything special about the concept. I left out
soooooooooooooo much, but truly feel like every second
is necessary and it's still freaking over 7 minutes.
-
- The biggest
difficulty in making something like this is that
I don't really have a focused audience. A reel
for a network pitch would be 2-3 minutes and specific
to EACH network pitch... but I also need to attract a
show-runner or celebrity and express that this is a
LONG form interview. Not a quick 5 minute YouTube
thing... long-form interview shows are not normal
these days and it's a strange concept to push so you
kind of have to put more into a reel then normal. 7:49
is very long to expect anyone to sit through... but
the alternative is making 8 different 2 minute videos
and making sure each audience sees THEIR specific one.
That's fucking impossible. And I have to believe
that if I get to the point where a celebrity or
connected show-runner is watching ANYTHING? It had
better cover what I need it to cover because I'm
only getting one shot. In fact, I've shared it with
some people and they already say "Oh yeah, I saw that
a couple months ago - COOL!" - it doesn't matter
I made it 34 seconds ago, some people give you
one opening and then stop caring. So you just have to
hope they hang on through the whole
thing...
-
- ...and of course,
you all know my editing style - it's really fast.
I mean I covered the first 10 years of the
journey in 6 seconds. Uhm, ouch. But, yeah - that's
about all it means to this. I have to bring it up
because more than just the concept? I have to sell me
a little. Who am I, why would anyone of any stature
talk to me... that kind of thing. My showbiz
background, as random and spotty as it was, helps.
I do indeed relate ona bunch of levels to people
in showbiz. My PERSONAL failures, my... well my
everything in the past 20 years allows me to direct
Hats & Minigolf interviews in a different way than
most people. So how do you show all that?
-
- Well, you take
months. Fuck, man. That's the problem with having
produced 6 of the shows. That's 3 hours of content
plus needing to explain how it came to be in the first
place and the press it's already gotten. What do you
cut? The first thing I did was scan through every
interview and take the funniest moments and ended up
having to cut one of the best interviews (Dean
Haglund) because the subjects were SO meaty, it
was lost in a reel. I mean, you can barely touch
the surface of that interview in a 7 second clip. I
love it, but for the reel, too much
set-up.
-
- But even the funny
parts of 5 videos is over 45 minutes. So now you're
just cutting off your babies. SO you do a voice over
and try and piece it together. Then something isn't
right and you have to go away and come back. So much
of the editing process was just during the day doing
other shit trying to envision what I was really
trying to say? You put something together, and then
realize it's missing something. So you start over.
Eventually last week I really focused and kept
redoing the voice over until it was succinct and
efficient - and STILL cut it up in the final edit. For
example, I felt it was pretty important to
express that the majority of the guests
- I HAD NEVER MET! It seems like
we're all friends, but we were all just kinda acting.
I consider them friends now, but they really just
saw the Gedde episode and agreed to do it. That speaks
volumes for the strength of the show, but in the final
edit I felt it didn't REALLY matter. It's something
that could be talked about in addition to the video
during a meeting and not necessarily needed INSIDE the
video. And shit, another 20 seconds got it shorter.
Eventually I was under 10 minutes and then had to keep
chopping up extremely funny moments because of
pacing. But what should the pacing be when
spotlighting a show that EMBRACES a long form format?
So it's this weird editing challenge where you have to
give people 10-15 seconds of something that let's them
know the story was 5 minutes. Bizarre. In fact I've
never really had that challenge. People watching have
to grasp that these are very long in depth
conversations, but need to grasp that really fast and
without me saying "HEY! This is a really long in-depth
conversation!". Ha.
-
- The overwhelming
feeling though is it looks FUN and as a viewer you do
respect that I built it. Like, it doesn't matter
if you don't realize in the first 6 seconds
I played all those characters, or the pilot on
Comedy Central or alllllll those talents... but you
almost by osmosis respect the scope of GolfKon
and how well it's been received. That is somewhat
surreal to me because GolfKon is really just the
physical manifestation of the virtual creativity I've
always shown... that people never really "got". They
all "get" GolfKon because they're standing on it. Some
of the things I've produced on computer are light
years beyond the construction abilities I have,
but it just flies over people's heads. It's just one
of those things.
-
- Alright, I threw
it on FB (because no one shares YouTube videos
anymore) and I'm hoping people will share it and we
get some sort of bites. It's time. I'm in the 160s
weight-wise (I know, that seems trivial, but when you
peaked over 200, you're excited) and can reasonably
take a meeting and look like me, not fat
santa.
-
- And as I said at
the top? This is it. I've done all I can with the
concept and if the video in THIS entry doesn't
open the doors, then I haven't the slightest idea how
else to proceed. There's relief in that. Let's see
what happens next.
-
- Adam
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